Gershman’s effort evokes not only Whistler’s and Sargent’s, but that from which they took inspiration, Manet’s and Velazquez’s – masters of the figure who in their own ways avoided the banal literalities of their contemporaries for a rendition truer to the vagaries of vision, and (thereby) to the dynamics of human presence.

Peter Frank | Art Critic
Huffington Post

Naked /

I look for a snapshot in paint – the awkward truth of one’s body and its bizarre shapes. Read more